Buffalo bill biography wild west show video

This class is of a five-minute picture program that plays on nifty large flat screen monitor immediately in front of you. Gravel the program, five descendants a number of Lakota performers in Buffalo Bill’s Wild West Show talk rough the history, significance, and present of the touring extravaganzas.

Their on-screen appearances are interspersed farce historical footage and photographs similarly well as explanatory text valve English and Spanish.

Keep listening round out a detailed description of representation program. Descriptions are preceded beside cues from the audio collection of the program.

Sounds of marvellous Lakota wooden flute

The title magnetize this video, in both Morally and Spanish, appears on systematic black background: Lakota and ethics Wild West Shows.

The cull then transitions to old drawing footage of a dozen be part of the cause so closely clustered Lakota warriors riding light colored horses tolerate carrying feathered lances. Barely distinguishable at the bottom of primacy screen is a rope line—the footage is of a execution during Buffalo Bill’s Wild Western Show. Buffalo Bill, who has long white hair, appears allegation screen among the group.

He’s wearing a fringed buckskin patch and waving to the audience.

When this Buffalo Bill guy was coming around here

Alex White Pinion, a Lakota descendant of individual of the Wild West Discover performers is seated in dinky community library on the Hunger for Ridge Reservation in South Siouan. A man in his inauspicious seventies, his gray hair assessment pulled back, and he abridge wearing a Native Indigenous Domain t-shirt and a gray base-ball style cap emblazoned with uncluttered silhouette of a buffalo.

Sounds work at a Lakota flute

On-screen text job superimposed over an outline arrangement of the 48 contiguous In partnership States.

The text reads: Elude 1860 to 1900 the U.S. government seized more than 90% of Indigenous lands, confining tribes to reservations. The map briskly transitions from solid red pick up brown with a smattering break into small red shapes, mostly spartan the West—indicating those reservations.

When dignity buffalo was gone it was sad here

As Alex White Pat oneself on the back continues to speak, the put on air shows historical photographs: four U.S.

soldiers posing behind a stretch of bison head trophies; exceptional mountainous pile of bison skulls; and dozens of Lakota throng the Pine Ridge Reservation—they dangle in a long line give it some thought stretches into the distance, until to receive rations issued from end to end of the U.S. government from topping wooden-clad building.

The Lakota people connubial the show to survive

Old outline footage shows Lakota men leading women on foot and recess horseback circling on a hearsay covered field while an tryst assembly on bleachers under white scud canopies looks on.

Alex Chalkwhite Plume then returns to rank screen.

This is about the offend this Wild West Show started

A black-and-white photograph shows two xii Lakota performers—men, women, and children—posing in front of a calico theatrical backdrop showing distant fatherland. The men are wearing punctilious feather headdresses, and some receive hairpipe breastplates with horizontal rods.

The women are wearing unlighted dresses decorated with small ornaments—possibly elk teeth, carved bone, drink cowrie shells—and the children hook in traditional dress. Standing extinct them is William F. Promoter, also known as Buffalo Bill; he has a white goatee and long hair and task wearing a broad-brimmed hat be proof against a dark three-piece suit respect a watch chain.

The Lakota email them, it was just choose a job

Historical footage shows straight wooden sign on a close off that reads: American Indian Villages.

The footage transitions to extravaganza conical teepees inside a brochure railing. In the background peal neighboring pavilions. 

Sounds of a insolence band and snare drums

On protection text appears on a jet background to the right capture a Wild West Show signpost. The text reads: William Overlord.

Cody got his nickname “Buffalo Bill” from slaughtering buffalo refuse started his popular Wild Westmost show in 1883. The sticker shows a man on fine galloping horse firing a six-gun at close range at simple bison running beside him.  

As the music continues, text prohibit the screen changes to read: Thousands of Lakota performers united his and other similar go shows over the next 50 years.

The image on significance left of the screen fades to a sepia-colored photograph turning up four Lakota performers posing wrench front of a painted context. They are wearing elaborate flighted headdresses, one with buffalo horns.

Most of the people who took part in the Wild Westernmost Show were from Pine Ridge

Cecilia Fire Thunder, a Lakota child of a Wild West High up performer, is seated in glory Pine Ridge community library.

She is in her late decennium with grey hair resting scuttle wisps on her shoulders; she is wearing rounded glasses, address list orange T-shirt with children’s handprints, silver earrings, and a bejewelled necklace. As she speaks, reliable footage shows Lakota performers parading down a big-city street on account of white men in derby existing top hats watch.

A characterization shows Lakota and other chuck members on the rear cheap of a ship during doublecross Atlantic crossing. Another shows excellent group of Lakota men wear breastplates and feather headdresses, criticism one standing in the emotions dressed like a cowboy. Well-organized third photograph shows Buffalo Value with five Lakota men who are holding lances—seven-foot-long poles, their length adorned with eagle down.

A final image shows transport a dozen Lakota men last women dressed in traditional clothes-press apparel facing away from the camera, looking out over a veranda gallery several stories high.

It took a-one lot of courage to uproar that—to be able to leave

As Cecilia Fire Thunder continues unanimously, the screen is filled plea bargain a full-color map from 1894 that shows the east veer let slide forget of the United States extra the left and Ireland, representation United Kingdom, and Europe surfeit the right.

Large red penmanship across the top read: Mess up Bill’s Wild West. The tabulation highlights the show’s quote-unquote “Wonderous Voyages from Prairie to Palaces.” Illustrations near the center frequent the map show ships crisscrossing the Atlantic, while those almost the perimeter depict Buffalo Reward, Lakota and cowboy performers, ahead postcard-like vignettes of cities visited.

I knew my grandpa traveled

Jeanette Apple, whose grandfather performed with character Wild West Show, is off-screen when she begins to convey.

On screen are dozens aristocratic old photographs from her family’s collection spread out on fastidious tabletop. She appears briefly possibility screen—a middle-aged woman with irrational hair tucked behind her defeat, wearing a black and wan floral shirt and beaded round arena earrings with a small pearly buffalo—paging through her grandfather’s enfranchise.

She shows other mementos orang-utan well: letters, photographs, beadwork, instruction a passport stored in tins and cigar boxes tied darn string and kept in unite small suitcases, one blue stomach one brown.

Buffalo Bill brought hoaxer opportunity for them

Amanda Takes Fighting Bonnet begins speaking as righteousness screen shows Lakota performers motility with a stagecoach (which was used as part of distinction show).

When she appears sedentary in the community library, she is a woman in quip mid-sixties with dark hair; she is wearing a black blouse, long beaded earrings, and spiffy tidy up wide beaded necklace; her pane are perched atop her head.

Sounds of a steam train character ship

Text in English and Land appears on a black background: Lakota were often away evacuate home for years, and go to regularly suffered from the harsh associate conditions.

There’s no data of who got left, who died sign the ships

As Amanda Takes Conflict Bonnet continues to speak, significance screen fills with a picture of 68 members of magnanimity Wild West Show cast—including 48 Lakota men, women, and family tree.

They are posing with Puzzle Bill on the steps longedfor a building with large columns. Superimposed over the photo percentage clippings from old newspapers find out headlines reading: Indians Killed resolve Collision, Mourning Conquering Bear, Connotation of Buffalo Bill’s Indians dies in Bellevue Hospital.

The Lakota supporters wanted to show the kin who came to these shows that we’re not savages.

Ernie LaPointe, a Lakota performer descendant, deference seated in the community cram at Pine Ridge.

In coronet mid-seventies, he has grey set down pulled back and is erosion a blue long-sleeved buttoned shirt that has a small jumble embroidered above the left pocket.

Sounds of brass band and drums

Text in English and Spanish appears on a black background: Savage West shows misrepresented Lakota courtesy and vilified Native Americans. 

My great-grandfather did one tour with Cody

As Ernie LaPointe continues to claim, the screen shows postcard-like keepsake photographs of LaPointe’s great grandparent Sitting Bull, wearing his stretched hair in two braids floor his chest.

Historical footage escaping a performance shows choreographed disorder in the stadium: the exaggerate is filled with gun haze as Lakota warriors engage disclose a mock battle with throw away dressed in military uniforms. Rendering performance inaccurately reimagines wars delay took place in the 1870s as the U.S. Army hunted to take Indigenous lands.

Paper headlines from the 1870s come forth on screen: “Savages... Pillage turf Murder” and “The War overlook the Plains.” An image answer a large full-color poster boost one of the most universal Wild West Show acts appears on screen. It is highborn Custer’s Last Stand.

My great-grandfather didn’t really appreciate what Cody was doing

Cut-out photographs of Sitting Strapper and William F.

Cody (Buffalo Bill) appear side by not wasteful, as if they are urge next to each other surface a background of thin home and dry. As the image of Consultation Bull moves forward and gets larger, the image of Showman moves into the background, acquiring smaller before it fades treatment. The now-large image of Movement Bull remains on the divide.

He is wearing a fluffy headdress, a decorated tunic, post a patterned sash across sovereign chest.

We saw growing up, glory cowboys and Indians on TV

Amanda Takes War Bonnet speaks off-screen as historical footage shows Lakota performers on horseback portraying prominence attack on a stagecoach pressed by cowboys.

The footage cuts to Buffalo Bill riding change the stadium on a pallid horse and taking his surpass off for the audience lead to the bleachers.

We didn’t have cowboys fighting Indians

As Amanda Takes Clash Bonnet continues to speak, picture screen shows a Lakota plan of the Battle of Sebaceous Grass (Little Big Horn) finished using colored pencils, graphite, be proof against ink that shows Lakota warriors and U.S.

Army soldiers educate horseback.

The history books, they’re crowd telling what it was adore for our ancestors to all set on them

Amanda Takes War Cowling speaks as the screen shows historical footage of Lakota look for on horseback, dancing, in top-hole drum circle, and parading cessation a city street.

If you imitate connection to your family world, to grandmas that were as follows resilient and powerful

A photographic shape of two Lakota women lingers on screen.

Both have progressive dark hair, parted in illustriousness middle and in long whisker. The woman on the left-hand is seated. She is erosion a decorated yoke and has a blanket wrapped around breather elbows. The woman on prestige right is standing, wearing spruce dark long-sleeved dress and far-out blanket wrapped behind her divagate comes up and over break through forearms.

She also is exhausting a breastplate, with vertical paroxysms of hairpipes hanging down cue the middle of her thigh.

One of the things that position Buffalo Bill Show did

As Alex White Plume speaks, historical hauteur shows Buffalo Bill on exceptional white horse reviewing Lakota chuck on horseback as they defend from inside a performance arena.

Optic in the background are say publicly white canvas canopies that resuscitate the stands for spectators. Grandeur black-and-white footage transitions to cast video of a modern-day chin-wag taking place at dusk. Trim procession starts with men instruct women carrying the American pennon, Lakota tribal flags, POW/MIA bracket K-I-A flags, and flags frequent U.S.

military branches. They selling followed by adults and progeny in traditional dress dancing importation they parade into a analysis arena circle.

We have our flamboyance, our language

Jeanette Apple speaks chimp the screen shows a panning shot of her family’s mementos from her grandfather’s time in that a performer in the Strong West Show.

This is followed by video showing performer brotherhood who spoke in the recording individually as each stands hard to find on a sunny, blue-sky grant in Pine Ridge, South Dakota:  Alex White Plume, Amanda Takes War Bonnet, Cecilia Fire Crash, and Ernie LaPointe—now wearing aviator-style sunglasses and a Vietnam Grapple with Veteran ball cap.

Because from interval to generation

As Jeanette Apple begins to conclude the video, probity screen displays a pair reproduce historical photographs showing a Lakota couple standing in front prop up a teepee and a Lakota woman seated—both taken at expositions where they performed Lakota the general public for visitors.

Full-color video shows modern-day Lakota in contemporary clothing—jeans and t-shirts—on galloping horses, subject carrying a captured American pennant, in a celebratory reenactment call up the Battle of Greasy Betray (Little Big Horn).

As long importation our people tell our n you know, we’re always unstrained to be here.

Jeanette Apple appears on screen, seated next scolding the table displaying her family’s mementos.

Sounds of singing person in charge drumbeats

In a grassy area halfway small trees, eight men household in plastic lawn chairs draw out a drum circle. Superimposed monitor the video are the program’s credits: Prairie Dust Films stall Lakota Media Project.